You Can’t See The Family Reunion For The Trees: Designs For Family Reunion T-Shirts

Posted on 29th November 2009 by admin in Art Design | Tags: , , , , , ,

You’ve been given the job of getting t-shirts for your family reunion. The first thing that comes to mind for a design is a tree that incorporates various family members’ names. Unfortunately, this is the first thing that comes to most people’s minds and so you see that design everywhere. The following are some t-shirt design ideas that might get you out of the family reunion forest.

If you do opt for a tree, you have options to make the design distinctive. A summer or beach-themed family reunion could use a palm tree with coconuts representing names. On a more traditional tree, text can be incorporated in various places, not only the leaves but also branches and even underground in the roots.

A different motif for your shirts could be items that come in groups, especially if the item can be related to the family in some fashion. For example a pizza with names in the slices, a box of crayons for a particularly artistic family, or a carton of eggs (with at least one cracked). If music is prominent in your family, names set into various notes could be a theme.

Time is also a popular theme for reunion shirts. A clock face with names at the various numbers is a possibility, but don’t forget other time keeping devices like wristwatches, sundials, even hourglasses.

Your family name itself could be an inspiration. Chef’s hats for the Baker family, a waterwheel with names around it for the Miller’s. An anvil with hammers or horseshoes for the Smith family. Of course if your last name is Johnson, you might want to forgo this option.

While a tree motif can make an excellent design, don’t be afraid to expand your horizons and incorporate other ideas into the mix when coming up with your family reunion t-shirt design.

Contemporary Glass Art

Art glass means the modern art glass movement in which individual artists are working to generate works from molten glass in relatively small furnaces of a few hundred pounds of glass. It began in the early 1960s and showed continued growth throughout the end of the century. The glass objects created are not primarily serviceable but are projected to make a sculptural or decorative statement.

Prior to the early 1960s, art glass would have referred to glass made for decorative use, habitually by teams of factory workers, taking glass from furnaces with a thousand or more pounds of glass. This form of art glass, of which Tiffany and Steuben in the U.S.A., Gallé in France and Hoya Crystal in Japan and Kosta Boda in Sweden are perhaps the best known, grew out of the factory system in which all glass objects were cast blown by teams of 4 or more men. In fact, the turn of the 19th Century was the height of the old art glass movement while the factory glass blowers were being replaced by mechanical bottle blowing and incessant window glass. In an art glass studio, “production work” shows more hand worked variation than was allowed in pure factory work environment and every piece shows some of the lead glass worker’s creativity. Most studio glass workers also try to turn out larger individual pieces which might be the corresponding of a master piece in the journeyman system of guild and factory work in addition to smaller production pieces.

Types of Art Glass:

•    Blown Art Glass
•    Cast Art Glass
•    Fused and slumped Art Glass

There’s one way to do it painlessly and easily by annoying some of the hot new paint shades that are available at your local paint store if you’re looking to stride away of your interior design comfort zone. If you’ve already lived in your home for a while, you can revitalize your walls by adding touches of bold colors. You’ll find that paint companies have made it much easier for you to add drama to your interior walls. You’ll be stunned at what a simple thing like varying the color of your walls can do to brighten up your spirits and add a little more relish to your life.

Abstract Art and I

I have always loved bright colors and movement, like dancing its healing, relaxing fulfilling and challenging as well. The bottom line is the feeling and message that I want to convey through the medium. When I paint, every attempt is to capture the feel of warmth, passion, joy and bliss in none objective or figurative composition. I enjoy experimentation of different media and subjects.

My subject varies based on my emotion and statement but my love for colors is constant. In spite of this, viewers see different forms or figures in my abstract expressions. The good thing about these expressions is the freedom of the viewers to see and appreciate the forms in their mind’s eyes, like face painting in the eye of the viewer. Its also important to mention that “Uli” which is my traditional art style has played a major role in my age long career. The symbols and forms of this art style are reflected in my cubism, abstract images, abstract relief sculpture, seascape, drawing, pastels and watercolor painting.

People see different forms or images in abstract art, the depth of what you actually see when you look at the paintings is partly based on individual exposure and understanding of art forms, color, shapes, line and texture; which are the physical elements that combine to make up the artworks.

A selection of different dark hues, shapes and forms may give various impressions to different minds; light, airy images as mystical; balanced, temperate forms as peaceful. Uli organic forms and shape are symbolical such as colors and forms have meaning in and of themselves. It is a simple truth that you can’t give what you don’t have. I am a believer and my work time is also a meditation time, which can go either way depending on the spiritual consciousness of the creative mind.

To me, my work section is an intimate moment between I, canvas and colors. At this creative moment there is a spiritual impartation from the artist to the Art. Hence the emotional reaction to these elements even if they create no recognizable object for us to hang onto.

I enjoy the inclusion and deletion of space. The handling of space or the
illusion of space is another powerful element in the artist’s mind. If you are drawn into a yard of three-dimensional space stretching beyond the framework of the painting to sculpture, you are not alone. The impression of depth, perspective, airiness, solidity, textures and other spatial relations are created and controlled to achieve a desired goal.
The overall composition or design of my painting or sculpture is created to guide the viewer’s eyes to understanding and appreciation of the images.

I must admit, most of my figurative compositions is a celebration of womanhood, which I am very proud to be part of for they are the seats of wisdom and knowledge.

I pride in the feeling and reactions of my clients and viewers to my creations. I feel blessed in many ways than words can express. The challenge sometimes is getting the composition right, or balancing the elements of color, lines and shapes while maintaining a dynamic tension and massage beneath.

Energy is the life force that is present in all good art. This is not something that is easily defined. The life force of every work I do is the same, but different energy and different statements. It is this peculiar energy that makes my works speak to you, and makes them unique, original and identifiable to me. This energy is created out of experience and self-awareness, materials and tools, but the end is more than the means in the same sense that a musical composition is so much more than a collection of notes.

You are welcome into my world of abstract wall art or modern art, relax and let your eye leisurely wander over the collection of verities of art forms and styles. Let your heart and mind react to my colors, shapes, figures and textures. Come and spoil yourself a little in the illusion of vibrant spaces, the movement of lines and the mood of blissful atmosphere.
Come, come up close and explore the intricacies of brushstrokes, spatula- strokes, paint thickness, textures and compositional details. Enjoy how the parts are woven together to form the whole.

Take your time. My artwork cannot be understood and appreciated in a ten second glance. Allow my art to grow on you, becoming more interesting and more enjoyable to look at as you live with it.